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                                                                    dedicated to the misuse of meaning.

“The relation between a musical score and the music is like the relation between the page and the poem. That which appears on the page is not the poem but a visual-spatial representation of the poem that would approximate or indicate its sound and meaning, form and content, and the particular sculpted manifestation of language as their interinanimations, the orchestration or arrangement of the body: voice and eye, the instrument upon which that music is played, the locus of the senses that must, in the face of all pressure, not allow itself to be reduced either to eye or voice and that must not allow the occlusion of the other senses and the correspondent exclusions that would follow.”

Fred Moten, In the Break: The Aesthetics of the Black Radical Tradition